Friday, February 15, 2019
Culture of Ancient Rome :: Ancient World Culture
The art and artifacts from the Karanis excavation declare oneself a useful, summary enjoinment about the gloss of ROME, the great purplish city.Romes greatness grew out of its imperial program of conquering others and establishing colonies. This military expanding upon at once brought great material benefit to the Roman state and guaranteed a pipeline of wealth for Rome, the imperial city. And Rome becomes a oecumenic capital where high-living and material wealth become synonymous with personal splendour and success. Note how the Karanis exhibit displays extravagant wall paintings, which did not decorate the walls of churches or temples but rather the homes of wealthy citizens. The exhibit also includes coins, whose minting bespeaks the abiding vexation for the tokens of wealth as well.What the Romans also did was learn from other cultures. You might interview why APHRODITE, a Greek goddess, was memorialized in a fantastic grave in Roman times (and in Egypt, no less). To th eir credit, the Romans acknowledge the richness of Greek art and architecture, and they sought to emulate the Greek know -- and the Greek styles and themes -- in their own art. To a large degree, it was the Romans who brought Greek (and Hellenistic) culture to world attention. Romans patronized Greek artists and artisans in the glorification of a spacious world of their own, Roman creation.It is no surprise, then, that the Roman poet VIRGIL (or VERGIL) turns to Greek mythology and to the Greek epics as he fashions his own description of the origins and destiny of the Roman state, The Aeneid. Virgil writes his extended poem, in part, to win the favor of
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